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Publisher Online Pitch with Wes Mayers

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Publisher Online Pitch with Wes Mayers

November 14, 2019 @ 7:00 pm - 9:00 pm

Wes Mayer

About Wes Mayer

Creative Director – Redline Entertainment Group

Wes Mayers has had a varied and successful career in the entertainment industry including television, video, and music. After college Wes moved to Los Angeles, California where he worked in network television for 3 years. He then moved on to video production and distribution where he was a partner at Sen-Sei Productions for five years.

Wes relocated back to Nashville in 1992 and immediately returned to the music business full time by starting his own ASCAP and BMI publishing companies. In 1993 he formed a new venture called Laurelwood Entertainment. Laurelwood’s emphasis was on music publishing, artist development, and artist management.

​The first artist/songwriter signed was Rodney Atkins. Rodney currently is on the Curb Records label. Rodney has had the honor of having 4 back to back #1 singles with “If You’re Going Through Hell” that was #1 for 3 weeks, “Watching You” that was #1 for 5 weeks, “These Are My People” and “Cleaning This Gun (Come On In Boy).”

​Rodney was named the ACM’s Best New Male Vocalist for 2007. Most recently Rodney celebrated his 5th #1 with “Take A Back Road”. Additionally he signed Terry Joe Terrell who was on Journey Records, the trio Mullins – Black, and Craig Morgan who was on BNA and is currently on the Black River Music Group label. Craig had the 2005 Billboard “Song Of The Year” with “That’s What I Love About Sunday” as well as back to back #1 records with “That’s What I Love About Sunday” and “Redneck Yacht Club.” Wes secured two record deals for Mullins-Black, one on the Almo Sounds label and one for Atlantic Records.

​His publishing company has had songs recorded by George Jones, Lorrie Morgan, Rodney Atkins, and Craig Morgan to name a few. Additionally Mayers has been recognized by the video industry with Telly awards for his production of two videos for international publisher Broadman& Holman.



About the Publisher Online Pitch Event

Have you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?”

Through GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel.

One of the most important elements of this service is that you will be connecting with a publisher, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day.

Here are the details!

  • This event is open to members only.
  • Pricing is $30.00 per Song Pitch and $20 for a Listen Only slot.
  • This event is limited to 35 Song Pitches and 50 Listen Only slots.
  • Once you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.
  • If you purchase a song pitch, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to [email protected] 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)
  • Guitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.
  • The publisher will only listen to the first verse and the chorus of your song.
  • The publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases, the publisher will offer constructive advice.
  • This is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.
  • You are encouraged to stay involved in the webinar while all songs are listened to and here is why:
    • Out of respect for the other participants.
    • Should the publisher choose to comment on a song, you will learn from what he has to say.
    • If a publisher takes a song, you will want to connect with that songwriter and possibly co-write with that writer.

Read More About the Realities of Song Plugging



November 14, 2019
7:00 pm - 9:00 pm
Event Category:


Online Webinar


Global Songwriters Connection
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