BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Global Songwriters Connection - ECPv6.15.13//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Global Songwriters Connection
X-ORIGINAL-URL:https://globalsongwriters.com
X-WR-CALDESC:Events for Global Songwriters Connection
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20240310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20241103T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20250309T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20251102T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20260308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20261101T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20270314T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20271107T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260507T190000
DTEND;TZID=America/Chicago:20260507T210000
DTSTAMP:20260519T085827
CREATED:20260302T032436Z
LAST-MODIFIED:20260318T003238Z
UID:398873-1778180400-1778187600@globalsongwriters.com
SUMMARY:(Rescheduled) Publisher Online Pitch with Anna Thiel
DESCRIPTION:About Anna Thiel\n\nCreative Manager – Eclipse Music Group \nAnna Thiel is a graduate of Middle Tennessee State University with a degree in Recording Industry Studies. A musician herself\, she developed an early passion for the music business and now supports both songwriters and artists through her work at Eclipse Music Group. \nShe began as an intern in 2022 and has grown into a multifaceted role spanning publishing and label operations.\nOn the publishing side\, she oversees the catalog\, assists with co-writing sessions\, pitches songs\, manages social media\, and supports internal administration. \nAs Head of Creative for Eclipse Records\, she focuses on discovering and developing emerging talent while leading marketing\, branding\, and distribution strategy. \nShe also serves as Administration and Membership Director for the AIMP Nashville Chapter\, helping foster engagement within the Nashville publishing community. \nNote: This event originally scheduled for March 19 has been rescheduled for May 7. If you purchased a slot to pitch a song or to listen in\, then you will still retain your spot and receive the login link a few days prior to the May 7 event.  \nSong Pitch slots are sold out\, but you can still purchase the option to listen in until May 4.  \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 9:30am the day before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis is a member-only event.\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song (in mp3 format only) along with your photo/bio (On same page in Microsoft Word format or PDF only) and lyric (Microsoft Word format or PDF only) to pop@globalsongwriters.com by 48 hours before the event. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n  \n  \n  \n\nA
URL:https://globalsongwriters.com/event/publisher-online-pitch-anna-thiel-mar-2026/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2026/03/Anna-Thiel_300.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260430T190000
DTEND;TZID=America/Chicago:20260430T210000
DTSTAMP:20260519T085827
CREATED:20260318T011244Z
LAST-MODIFIED:20260406T041339Z
UID:409514-1777575600-1777582800@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Courtney Allen
DESCRIPTION:About Courtney Allen\n\nSenior Director\, A&R – Concord Music Group \nCourtney Allen joined Concord’s Nashville team in October 2021 as Director\, A&R and was promoted to Senior Director in 2023. Allen serves as an A&R for Concord’s publishing roster that has grown and expanded immensely in the Nashville and country market. She is committed to rounding out Concord’s Nashville roster with top-notch talent and continues to be a force in developing high-level signings across the company including breakout artist Russell Dickerson and top country music songwriter/producer Corey Crowder as well as rising stars like Grace Tyler\, Cole Goodwin\, Lauren Hungate and more. Additionally\, Allen serves an integral role in liaising with Hang Your Hat\, a Concord creative venture founded by two-time ACM Songwriter of the Year\, Hillary Lindsey including notable signings such as Chris LaCorte. Prior to Concord\, Allen served as Creative Director at BMG\, where she worked with their roster of songwriters and developed new talent. Prior to her time at BMG\, she was the Creative Director of publishing at Starstruck Entertainment\, where she worked with developing artists on the management roster. Allen is active in the country music and Nashville scene both for music and philanthropically. She works with St. Jude Children’s Research Hospital raising money with their annual “This T Shirt Saves Lives” campaign\, encouraging the music community’s involvement. She was also a part of the 2023 class of CMA Women’s Leadership Academy\, and was named Song Champion of the Year at the 2025 AIMP Nashville Country Awards. She was also named one of Music Row’s Rising Women on the Row in 2026. \nGSC members\, if you are considering purchasing a pitch slot\, please research Concord Music Group to properly prepare an appropriate song for this pitch.\n\nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 9:30am the day before the event.) \n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis is a member-only event.\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song (in mp3 format only) along with your photo/bio (On same page in Microsoft Word format or PDF only) and lyric (Microsoft Word format or PDF only) to pop@globalsongwriters.com by 48 hours before the event. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n  \n  \n  \n\nA
URL:https://globalsongwriters.com/event/publisher-online-pitch-courtney-allen-april-2026/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2026/03/Courtney-Allen-300.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260423T190000
DTEND;TZID=America/Chicago:20260423T210000
DTSTAMP:20260519T085827
CREATED:20260406T041927Z
LAST-MODIFIED:20260406T041927Z
UID:422841-1776970800-1776978000@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Casey LeVasseur
DESCRIPTION:About Casey Levasseur\n\nA&R/Artist Management\, 3 Ring Circus Music\, Nashville \nCasey LeVasseur is no stranger to the music industry. She spent much of her childhood in the crowds of local dives\, studios and publishing houses\, learning the craft and business from some of the very best producers\, managers and writers. Her list of teachers and mentors includes her father\, Hall of Fame songwriter Jeffrey Steele. She is head of A&R/Artist Management at 3 Ring Circus Music & Records in Nashville\, TN\, and has played an active role in the development of several hit writers as well as had a hand in many song placements from Miley Cyrus to Keith Urban\, Eric Church\, Cher\, and the like. Casey and Steele also jointly operate the Jeffrey Steele Academy\, a teaching community for aspiring writers. She is passionate about discovering new artists with unique sounds and eclectic personalities. When she isn’t developing artists and writers\, she is creating and performing. Casey’s storyteller writing and sound can be heard as part of the duo Silence X Noise with fellow dreamer Kurtis John. \n\nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20  \n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis is a member-only event.\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song (in mp3 format only) along with your photo/bio (On same page in Microsoft Word format or PDF only) and lyric (Microsoft Word format or PDF only) to pop@globalsongwriters.com by 48 hours before the event. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n  \n  \n  \n\nA
URL:https://globalsongwriters.com/event/publisher-online-pitch-casey-levasseur-april-2026/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2026/04/Casey-LeVasseur_300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260226T190000
DTEND;TZID=America/Chicago:20260226T210000
DTSTAMP:20260519T085827
CREATED:20260201T214548Z
LAST-MODIFIED:20260202T141108Z
UID:380108-1772132400-1772139600@globalsongwriters.com
SUMMARY:Publisher Online Pitch with John Moses
DESCRIPTION:About John “JMo” Moses\n\nVice President of Creative – The Bus Music \nJohn “JMo” Moses currently serves as the Creative Manager at The Bus Music\, a boutique music publishing company located in the Greater Los Angeles area. \nPrior to his role at The Bus\, John served the songwriting community at Broadcast Music Inc (BMI) within multiple business operational roles (filmtv. digital\, and live tour). Throughout recent years\, John has dedicated himself to seeing artists/writers generate sustainable revenue through storytelling vehicles like film and television music. \nJohn has secured television placements in shows like The Rookie\, Empire\, Claws\, Dave\, Batwoman\, NFL Sports\, Good Boys (Seth Rogan Movie)\, and many more! John has a knack for music creative and a passion for elevating songs to a place where they can ultimately find success across today’s entertainment marketplace. \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 9:30am the day before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis is a member-only event.\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song (in mp3 format only) along with your photo/bio (On same page in Microsoft Word format or PDF only) and lyric (Microsoft Word format or PDF only) to pop@globalsongwriters.com by 48 hours before the event. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n  \n  \n  \n\nA
URL:https://globalsongwriters.com/event/publisher-online-pitch-moses-july-2025-2/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2026/02/John-Moses-2026-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260219T190000
DTEND;TZID=America/Chicago:20260219T210000
DTSTAMP:20260519T085827
CREATED:20260201T213659Z
LAST-MODIFIED:20260202T141144Z
UID:380090-1771527600-1771534800@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Eric Gallimore
DESCRIPTION:About Eric Gallimore\n\nCreative Director\, Red Vinyl Music\n \nEric Gallimore grew up in the music business and at a very early age he became a vital part of the successful companies owned by his father\, Grammy award-winning and mega-hit record producer\, Byron Gallimore. Eric’s work continues as he pitches songs and scouts talent for Red Vinyl Music\, an independent music publishing company established in 2010. \nRed Vinyl’s roster of songwriters includes Warner Music Nashville recording artist\, Chris Janson\, who recently celebrated his #1 hit “Buy Me a Boat\,” as well as veteran hit-maker Mark Irwin (“Here in the Real World\, “Highway Don’t Care\,” “Redneck Crazy”). \nThe smokin’ hot songwriters of Red Vinyl Music have had songs recorded by many of Country Music’s top-selling artists such as Tim McGraw\, Faith Hill\, Taylor Swift\, Blake Shelton\, Luke Bryan\, Keith Urban\, Martina McBride\, Jake Owen\, Craig Morgan\, Lee Brice\, Tyler Farr\, Justin Moore\, and many more.\nSome of Red Vinyl Music’s most recent hits include “Neon Light” (Blake Shelton)\, “I Love This Life” (LOCASH) and “Home Alone Tonight” (Luke Bryan & Karen Fairchild). TV placements include Longmire and multiple songs on ABC’s hit TV show Nashville. \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis online music event is open to members of Global Songwriters Connection\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format or PDF only) to pop@globalsongwriters.com by 2 DAYS BEFORE THE EVENT. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full song demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real music publisher online pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the music publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-eric-gallimore-feb-19-2026/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2016/01/EricGallimore-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260129T190000
DTEND;TZID=America/Chicago:20260129T210000
DTSTAMP:20260519T085827
CREATED:20260105T034626Z
LAST-MODIFIED:20260105T232256Z
UID:361510-1769713200-1769720400@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Jimmy Metts
DESCRIPTION:About Jimmy Metts\n\nCreative/A&R Director – HoriGlobal Entertainment\n \nJimmy Metts is a Nashville-based music industry executive with extensive experience in artist development\, publishing\, and label operations. Known for his sharp A&R instincts and strategic vision\, he has helped build careers for both Grammy-winning and emerging artists. \nMetts has held roles at Paramount Pictures Publishing\, Curb Records\, Malaco Music\, and Reba McEntire’s Starstruck Entertainment. From 2018 to 2020\, he discovered and managed the southern rock band The Red Clay Strays\, orchestrating co-writes for hits like “Wondering Why” and “Good Godly Woman.” \nCurrently\, at HoriGlobal Entertainment\, he signs and develops emerging talent\, curates co-writes\, and oversees release strategies. He also serves as Tour Manager for the Grammy-winning band The SteelDrivers\, managing logistics for their national tours and maximizing revenue through merchandise operations. \n  \nSign Up For This Event\n$30 per song GSC member\nListen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm three days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n  \n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-jimmy-metts-jan-2026/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2026/01/JimmyMetts-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260122T190000
DTEND;TZID=America/Chicago:20260122T210000
DTSTAMP:20260519T085827
CREATED:20260105T034140Z
LAST-MODIFIED:20260105T034752Z
UID:361497-1769108400-1769115600@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Jenny Hall
DESCRIPTION:About Jenny Hall\n\nSenior Creative Director – peermusic\n \nJenny Hall joined peermusic Nashville from Porchlight Music\, where she served as Senior Creative Director. During her time there\, she signed new talent and assisted the roster with pitching songs to labels\, producers\, managers\, and artists. Her previous stops also include Sheltered Music and Given Entertainment. An Indiana native\, Hall graduated from Middle Tennessee State University’s music business program. She was also featured in MusicRow‘s 2025 Next Big Thing directory. \nIn her role\, Hall helps curate new talent\, assists in the day-to-day operations for the company roster\, and creates opportunities and song placements for the writers. \n  \nSign Up For This Event\n$30 per song GSC member\nListen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm three days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n  \n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-jenny-hall-jan-2026/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2024/01/Jenny-Hall-2023_300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251211T190000
DTEND;TZID=America/Chicago:20251211T210000
DTSTAMP:20260519T085827
CREATED:20251107T110051Z
LAST-MODIFIED:20251110T204235Z
UID:326029-1765479600-1765486800@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Josh Fipps
DESCRIPTION:About Josh Fipps\n\nCreative Administrative Assistant\, peermusic\n \nJosh Fipps is the Creative Administrative Assistant at peermusic\, where he assists the Advertising Sync team by organizing the music database with DISCO and contributing to the pitching process for advertisements. He is known for his strong teamwork skills and holds a degree in Marketing/Advertising from the University of Arkansas. Outside of work\, he enjoys music\, playing the guitar\, reading\, and running at Shelby Park. \n  \n\nSales open at 8am on November 7 \nSign Up For This Event\n$30 per song GSC member (1 slot per member on this event)\n\nPlease see our November newsletter for a promo code to sit in and listen to this event for free! \n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis is a member-only event.\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song (in mp3 format only) along with your photo/bio (On same page in Microsoft Word format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com by 48 hours before the event. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n  \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-josh-fipps-nov-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2024/06/Josh-Fipps-POP_300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251120T190000
DTEND;TZID=America/Chicago:20251120T210000
DTSTAMP:20260519T085827
CREATED:20251007T225345Z
LAST-MODIFIED:20251007T225419Z
UID:282901-1763665200-1763672400@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Butch Baker
DESCRIPTION:About Butch Baker\n\nSenior VP/Co-Owner – Hori Global Music Publishing\n \nButch Baker is currently head of Hori Global Music Publishing and is working with the same partners that he had incredible success with at Hori Pro Music Publishing (purchased by MoJo Music in 2019). Butch lead the transition and MoJo for a couple of years until he was approached to put his over 20 years of industry experience to work as a partner in a new publishing venture “Hori Global Music Publishing.” Hori Global is a worldwide music publishing\, licensing\, and distribution company. \nButch lead Hori Pro’s Nashville office for over 8 years\, claiming an impressive track record of success. A now 32-year resident of Nashville\, Butch Baker began his career in music as a recording artist\, inking 4 major record deals. His transition to the business side of music came by working as an independent A&R rep for Giant and Sony Records. Ambitiously continuing his love for music and its business\, Butch expanded in to music production and song plugging. Finding a true passion for music publishing\, Butch was soon running Nashville’s Encore Publishing. With this vast and varied amount of experience under his belt\, Butch joined HoriPro in 2005 and then Mojo Music and Media in 2019 \nHori Global is based in Berry Hill and Butch Baker says\, “Anybody who knows us knows we’ve always been about our family of songs and songwriters.” \n  \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis is a member-only event.\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song (in mp3 format only) along with your photo/bio (On same page in Microsoft Word format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com by 48 hours before the event. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n  \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-butch-baker-nov-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2013/06/ButchBaker200x281.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251113T190000
DTEND;TZID=America/Chicago:20251113T210000
DTSTAMP:20260519T085827
CREATED:20251007T225601Z
LAST-MODIFIED:20251007T225601Z
UID:282882-1763060400-1763067600@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Akira Hori
DESCRIPTION:About Akira Hori\n\nCatalog and Project Manager – Hori Global Entertainment\n \nkira Hori is the Catalog and Project Manager at Hori Global Entertainment\, where he works alongside Butch Baker on catalog management\, pitching\, talent scouting\, publishing negotiations\, and the launch of the company’s new record label. Raised in the industry by his father\, Kaz Hori—founder of HoriPro (now Hori Global)—and longtime mentor Butch Baker\, Akira’s love for songwriting and songwriters was sparked at age 14 during a co-write that showed him how a great song can change a room. \nWith a degree in Project Management from Elon University\, he brings a modern\, strategic approach to catalog development—leveraging technology to help songs and songwriters get the attention they deserve and to give great music new life. Grounded by the belief that it all starts with the song\, Akira is committed to building a creative environment where writers feel supported\, valued\, and treated like family. \n  \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-akira-hori-nov-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2025/10/Akira-Hori_300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251030T190000
DTEND;TZID=America/Chicago:20251030T210000
DTSTAMP:20260519T085827
CREATED:20250923T040126Z
LAST-MODIFIED:20250926T000305Z
UID:253468-1761850800-1761858000@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Halle Bartlett
DESCRIPTION:About Halle Bartlett\n\nCreative Coordinator – One Riot Music\n \nHalle Bartlett is a dynamic force within the Nashville music publishing community\, recognized for her unwavering commitment to empowering songwriters and fostering creative excellence. Working in creative at One Riot Music Publishing\, she brings a unique blend of passion and industry insight to her role. \nHalle’s journey into Nashville’s music industry began at Belmont University’s respected Music Business program. She quickly became known as a leader and team player through her commitment to the Curb College community and was the recipient of many awards and scholarships\, including the Robert E. Mulloy Outstanding Senior Award. Halle pursued internships at several renowned publishing companies\, including Big Yellow Dog\, Creative Nation\, Round Hill\, and was a proud member of the BMI Catalog Cast program. Bartlett was hired onto the Big Yellow Dog creative team\, where she was an ambassador for the company’s esteemed roster of talent for two years. At One Riot Music\, she’s honored to work with clients across the publishing roster and has demonstrated a keen eye for identifying emerging songwriting talent and forging meaningful partnerships within the industry. With her dedication and innate ability to connect with others\, she remains a driving force behind Nashville’s vibrant music scene. \n  \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-halle-bartlett-oct-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2025/09/Halle-Bartlett-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251023T190000
DTEND;TZID=America/Chicago:20251023T210000
DTSTAMP:20260519T085827
CREATED:20250923T035719Z
LAST-MODIFIED:20250923T040212Z
UID:253445-1761246000-1761253200@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Kennedy Murphy
DESCRIPTION:About Kennedy Murphy\n\nCreative Director – Spirit Music Group\n \nWilmington\, Delaware native\, Kennedy Murphy\, made her way to Nashville after earning a Music Business degree from Drexel University. While studying\, Kennedy’s love for songs and artist development was solidified during her time interning at Big Deal Music in New York City. After graduation\, Kennedy landed her first publishing job working as A&R/Creative Coordinator at Back Blocks Music. \nIn her role as Creative Coordinator for Spirit Music Nashville\, Kennedy provides day-to-day support to the creative staff and songwriters. \n  \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-kennedy-murphy-oct-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2025/09/Kennedy-Murphy-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250925T190000
DTEND;TZID=America/Chicago:20250925T210000
DTSTAMP:20260519T085827
CREATED:20250811T021329Z
LAST-MODIFIED:20250811T021329Z
UID:149020-1758826800-1758834000@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Jenny Hall
DESCRIPTION:About Jenny Hall\n\nCreative Director – peer music\n \nJenny Halljoined Porchlight Music in October 2023 as Senior Director\, Creative. In her new role\, she oversees the direction and development of the current roster which includes Clint Daniels\, Tim James\, Chris Sligh\, Dan Hutson and Terry Lee Palmer as well as new talent acquisitions. She also oversees the day-to-day creative operations of signing and developing new talent while managing and developing the current roster. Prior to joining Porchlight\, she spent time as Creative Director at Sheltered Music and Given Entertainment. Hall is an Indiana native and a graduate of Middle Tennessee State University (MTSU)’s music business program. She is now working a new position at peer music.  \n  \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-jenny-hall-sept-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2024/01/Jenny-Hall-2023_300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250918T190000
DTEND;TZID=America/Chicago:20250918T210000
DTSTAMP:20260519T085827
CREATED:20250811T020618Z
LAST-MODIFIED:20250811T020656Z
UID:148997-1758222000-1758229200@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Jen Hubbard
DESCRIPTION:About Jen Hubbard\n\nDirector\, Sync A&R\, Concord Publishing\n \nJen Hubbard is the Creative Director\, Publishing with Concord’s music publishing division\, based in Nashville\, TN. Hubbard began her career with Razor & Tie in 2014\, where she served as Creative Coordinator\, and then Creative Manager. Currently\, Jen is responsible for assisting in the procurement and management of the songwriter roster\, as well as the exploitation of the publishing catalog out of Concord’s Nashville office. In her time at Razor & Tie\, and Concord\, Jen has been responsible for securing cuts with platinum recording artists across multiple genres\, including the country\, pop\, techno/EDM/DJ worlds\, as well as assisting in securing numerous placements in film and television including many major television and film platforms\, as well as digital outlets. Her work across multiple genres\, and exploitation avenues\, is stand-out amongst her peers\, particularly in Nashville. \nIn her new role\, Hubbard will be responsible for the development and management of Concord’s U.S. songwriter roster for sync activity\, bridging the gap between the A&R and Sync teams. She will support Concord’s overall strategy to streamline sync-forward initiatives and provide more opportunities for writers across film\, television\, ads\, gaming\, and more. \nJen is a Belmont University graduate\, and is a member of S.O.L.I.D.\, CMA\, ACM\, NARAS\, AIMP\, and a current board member of Women in Music – Nashville. \n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-jen-hubbard-sept-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2021/11/JenHubbard-300S.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250828T190000
DTEND;TZID=America/Chicago:20250828T210000
DTSTAMP:20260519T085827
CREATED:20250718T205017Z
LAST-MODIFIED:20250718T205017Z
UID:92162-1756407600-1756414800@globalsongwriters.com
SUMMARY:Publisher Online Pitch with John Moses
DESCRIPTION:About John “JMo” Moses\n\nSync/Ad Placement/Film and TV – The Bus Music \nJohn “JMo” Moses currently serves as the Creative Manager at The Bus Music\, a boutique music publishing company located in the Greater Los Angeles area. \nPrior to his role at The Bus\, John served the songwriting community at Broadcast Music Inc (BMI) within multiple business operational roles (filmtv. digital\, and live tour). Throughout recent years\, John has dedicated himself to seeing artists/writers generate sustainable revenue through storytelling vehicles like film and television music. \nJohn has secured television placements in shows like The Rookie\, Empire\, Claws\, Dave\, Batwoman\, NFL Sports\, Good Boys (Seth Rogan Movie)\, and many more! John has a knack for music creative and a passion for elevating songs to a place where they can ultimately find success across today’s entertainment marketplace. \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 9:30am the day before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis is a member-only event.\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song (in mp3 format only) along with your photo/bio (On same page in Microsoft Word format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com by 48 hours before the event. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n  \n\nA
URL:https://globalsongwriters.com/event/publisher-online-pitch-moses-july-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2020/07/JohnMoses-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250821T190000
DTEND;TZID=America/Chicago:20250821T210000
DTSTAMP:20260519T085827
CREATED:20250718T204810Z
LAST-MODIFIED:20250718T204810Z
UID:92152-1755802800-1755810000@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Dallas Gregory
DESCRIPTION:About Dallas Gregory\n\nSenior Creative Director & General Manager – Song Rocket Music\n \nMusic veteran Dallas Gregory has nearly 25 years experience in the music Industry. The product of a musical family\, Gregory grew up in Georgia\, singing and playing Southern Gospel and Country music. Accepting an invitation to move to Nashville as a background vocalist\, Dallas arrived and began working as an artist and background singer for the Grand Ole Opry Road Show\, sharing the stage with many Country Music Legends including Roy Acuff\, Minnie Pearl and Loretta Lynn. After 7 incredible years with the Opry Show\, Dallas was offered a position in the Studio and Recording segment of the music industry as studio manager at Masterfonics\, a world renown Recording studio and Mastering facility\, located in Nashville\, Tn. While at Masterfonics Dallas worked with many of today’s top stars\, producers and session players in country\, rock\, pop and gospel music. From Materfonics\, Dallas transitioned into music publishing\, as Creative Director at High Seas Music Publishing. \nGregory’s focus was writer and catalog development and song representation to some of Nashville’s finest hit songwriters. While at High Seas Music\, Gregory helped secure over 100 cuts\, including cuts by artists such as Dolly Parton\, Joe Nichols\, The Oak Ridge Boys\, Pam Tillis\, David Ball\, Tracy Byrd\, Collin Raye and others. After nine years at High Seas\, Dallas launched his own publishing company in 2002\, “Song Rocket Music”\, focusing on music publishing\, writer representation and development\, artist development\, music production and consulting. Song Rocket Music is currently affiliated with several hit songwriters\, enjoying successes with song cuts by artists such as Rascl Flatts\, Luke Bryan\, Sarah Darling\, Thompson Square\, Canadian artist\, Shane Yellowbird\, Christian artist Guy Penrod\, Eric Clapton\, Carole King\, Kenny Rogers\, and Lady Antebellum. Through Song Rocket Music\, Gregory is currently developing fresh\, new\, up and coming country artist\, Ashlyn Grayce. \nDallas has most recently been placing several of our Global Songwriters Connection members music into specialty Christian projects that he personally oversees. \n“Music is one of God’s great gifts. Just as God created something from nothing when he made the world\, songwriters create something from nothing when they write songs\, therefore I believe all songs are God inspired in some way”. “I am blessed by music and its creators”. — Dallas Gregory \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n   \n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-dallas-gregory-july-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2022/10/Dallas_Gregory_new.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250731T190000
DTEND;TZID=America/Chicago:20250731T210000
DTSTAMP:20260519T085827
CREATED:20250617T201454Z
LAST-MODIFIED:20250617T201454Z
UID:16193-1753988400-1753995600@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Stacey Wilbur
DESCRIPTION:About Stacey Wilbur\n\nHead of Publishing / TIM Publishing\n \nIndustry Music Publishing Veteran\, Stacey Willbur has worked for many of the top music publishing houses in Nashville\, and her heart and passion for aspiring songwriters\, artists\, and songs have opened the door for many creatives throughout her career. She has worked with artists in both Christian & Country music including David Garcia\, Kari Jobe\, Mandisa\, Chris Stevens\, Ben Glover\, Brian White\, Jerry Salley\, Kelly Lovelace\, Chris Stapleton\, and John Paul White(CivilWars). Stacey established a “Women In The Music Industry” community where she currently mentors\, guides and encourages young ladies who are entering their first jobs in the music industry. \nAt the start of 2021\, Stacey became Head of Publishing of newly formed TIM Publishing alongside Chris Tomlin & Jason Ingram. The new company has signed songwriters: Steffany Gretzinger\, Jess Cates\, Tommy Iceland\, Chris Davenport\, and Benji Cowart. \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-stacey-wilbur-june2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2017/02/StaceyWillbur-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250626T190000
DTEND;TZID=America/Chicago:20250626T210000
DTSTAMP:20260519T085827
CREATED:20250513T003316Z
LAST-MODIFIED:20250513T003316Z
UID:15171-1750964400-1750971600@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Eric Gallimore
DESCRIPTION:About Eric Gallimore\n\nCreative Director\, Red Vinyl Music\n \nEric Gallimore grew up in the music business and at a very early age he became a vital part of the successful companies owned by his father\, Grammy award-winning and mega-hit record producer\, Byron Gallimore. Eric’s work continues as he pitches songs and scouts talent for Red Vinyl Music\, an independent music publishing company established in 2010. \nRed Vinyl’s roster of songwriters includes Warner Music Nashville recording artist\, Chris Janson\, who recently celebrated his #1 hit “Buy Me a Boat\,” as well as veteran hit-maker Mark Irwin (“Here in the Real World\, “Highway Don’t Care\,” “Redneck Crazy”). \nThe smokin’ hot songwriters of Red Vinyl Music have had songs recorded by many of Country Music’s top-selling artists such as Tim McGraw\, Faith Hill\, Taylor Swift\, Blake Shelton\, Luke Bryan\, Keith Urban\, Martina McBride\, Jake Owen\, Craig Morgan\, Lee Brice\, Tyler Farr\, Justin Moore\, and many more.\nSome of Red Vinyl Music’s most recent hits include “Neon Light” (Blake Shelton)\, “I Love This Life” (LOCASH) and “Home Alone Tonight” (Luke Bryan & Karen Fairchild). TV placements include Longmire and multiple songs on ABC’s hit TV show Nashville. \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis online music event is open to members of Global Songwriters Connection\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com by 2 DAYS BEFORE THE EVENT. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full song demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real music publisher online pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the music publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project.
URL:https://globalsongwriters.com/event/publisher-online-pitch-eric-gallimore-june-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2016/01/EricGallimore-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250619T190000
DTEND;TZID=America/Chicago:20250619T210000
DTSTAMP:20260519T085827
CREATED:20250513T002945Z
LAST-MODIFIED:20250513T002945Z
UID:15160-1750359600-1750366800@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Dallas Gregory
DESCRIPTION:About Dallas Gregory\n\nSenior Creative Director & General Manager – Song Rocket Music\n \nMusic veteran Dallas Gregory has nearly 25 years experience in the music Industry. The product of a musical family\, Gregory grew up in Georgia\, singing and playing Southern Gospel and Country music. Accepting an invitation to move to Nashville as a background vocalist\, Dallas arrived and began working as an artist and background singer for the Grand Ole Opry Road Show\, sharing the stage with many Country Music Legends including Roy Acuff\, Minnie Pearl and Loretta Lynn. After 7 incredible years with the Opry Show\, Dallas was offered a position in the Studio and Recording segment of the music industry as studio manager at Masterfonics\, a world renown Recording studio and Mastering facility\, located in Nashville\, Tn. While at Masterfonics Dallas worked with many of today’s top stars\, producers and session players in country\, rock\, pop and gospel music. From Materfonics\, Dallas transitioned into music publishing\, as Creative Director at High Seas Music Publishing. \nGregory’s focus was writer and catalog development and song representation to some of Nashville’s finest hit songwriters. While at High Seas Music\, Gregory helped secure over 100 cuts\, including cuts by artists such as Dolly Parton\, Joe Nichols\, The Oak Ridge Boys\, Pam Tillis\, David Ball\, Tracy Byrd\, Collin Raye and others. After nine years at High Seas\, Dallas launched his own publishing company in 2002\, “Song Rocket Music”\, focusing on music publishing\, writer representation and development\, artist development\, music production and consulting. Song Rocket Music is currently affiliated with several hit songwriters\, enjoying successes with song cuts by artists such as Rascl Flatts\, Luke Bryan\, Sarah Darling\, Thompson Square\, Canadian artist\, Shane Yellowbird\, Christian artist Guy Penrod\, Eric Clapton\, Carole King\, Kenny Rogers\, and Lady Antebellum. Through Song Rocket Music\, Gregory is currently developing fresh\, new\, up and coming country artist\, Ashlyn Grayce. \nDallas has most recently been placing several of our Global Songwriters Connection members music into specialty Christian projects that he personally oversees. \n“Music is one of God’s great gifts. Just as God created something from nothing when he made the world\, songwriters create something from nothing when they write songs\, therefore I believe all songs are God inspired in some way”. “I am blessed by music and its creators”. — Dallas Gregory \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n   \n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-dallas-gregory-june-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2022/10/Dallas_Gregory_new.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250422T190000
DTEND;TZID=America/Chicago:20250422T210000
DTSTAMP:20260519T085827
CREATED:20250318T235935Z
LAST-MODIFIED:20250318T235935Z
UID:14545-1745348400-1745355600@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Aubrey Schwartz-Daniels
DESCRIPTION:About Aubrey Schwartz\n\nHead of Publishing\, Major Bob Music Publishing\n \nAubrey Schwartz-Daniels was recently recruited to serve as Head of Publishing for Major Bob Music Group. A Michigan native and Belmont alum\, she moved to Nashville in 2012. Aubrey brings to the role years of experience working closely with writers\, artists and labels promoting songs between various publishing companies including Bluewater Music\, SNG Music\, and KP Entertainment’s publishing arm. \nAbout Major Bob Music Group – https://www.majorbob.com/ \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis is a member-only event.\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song (in mp3 format only) along with your photo/bio (On same page in Microsoft Word format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com by 48 hours before the event. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n  \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-aubrey-schwartz-april-22-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2025/03/Aubrey-Daniels-2025_300-s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250417T190000
DTEND;TZID=America/Chicago:20250417T210000
DTSTAMP:20260519T085827
CREATED:20250318T235448Z
LAST-MODIFIED:20250318T235448Z
UID:14536-1744916400-1744923600@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Sherrill Blackman
DESCRIPTION:About Sherrill Blackman\n\nFounder – sdb Music Group\n \nBlackman\, a Dudley\, North Carolina native\, arrived in Nashville in 1980 and graduated from Belmont University with a Music Business degree in 1982. He served on the staff of The Nashville Songwriters Association International for six years and was General Manager of Buckhorn Music for four years until 1994\, when he founded his sdb music group\, a publishing and songplugging company. Since that time\, he has secured recordings in Country\, Pop\, Rock\, Gospel\, Bluegrass\, Blues\, Jazz\, and Polka\, resulting in various radio hits\, as well as Gold\, Platinum\, and Multi-Platinum certifications\, several Grammy and IBMA nominations and one Dove award winner. Blackman is co-founder of The Independent Pluggers Association; a three term past president of The Nashville Publishers’ Network; and was named Music Row Magazine’s Songplugger of The Year in 2004\, 2005\, and 2006\n  \nThis is what Sherrill typically looks for when seeking songs to add to his catalog. Most publishers like Sherrill have areas of focus. THIS IS IMPORTANT TO KNOW. \nFirst of all and most importantly\, Sherrill DOES NOT want to hear any AI-generated vocals on the demos. Sherrill supports the use of real musicians and vocalists in our industry. \nCOUNTRY: NO SLOW SONGS! Only tempos or something with a great groove. Need to have energy\, movement\, and excitement musically and melodically. No love or romantic relationship songs. No drinking or bar songs. The lyrics need to have depth and substance. Let me share a quote I was told that the legendary songwriter Bobby Braddock made “Don’t strive for songs that will only last through lunchtime. Write songs that will last a lifetime.” \nHere are some song lyric examples to reference: “Til You Can’t” by Cody Johnson; “Buy Dirt”\, “Dirt Cheap”\, This Is My Dirt” by various artists; “Stay In The Truck”. Going back further: “Live Like You Were Dying”\, “The House That Built Me”\, “I Hope You Dance”\, “Humble & Kind”\, “I Drive Your Truck”. Since basically all the artists are writing almost everything for their albums\, these are the kinds of songs that it takes to beat those inside politics. \nBLUEGRASS: Any tempo is acceptable\, but an up-tempo feel is preferred. Avoid cutesy or novelty songs. Story songs work well in this genre\, but they must be authentic. Avoid anything trite or cliché. \nCOUNTRY GOSPEL: Any tempo. Think Country á la Garth Brooks\, George Strait\, Reba McEntire\, and even Rascal Flatts. The lyrics need to be positive and can mention God\, Jesus\, and prayer but the song doesn’t need to be about those overall. Family values are a plus. Also\, nobody can die in the song. Please understand that this genre is NOT Southern Gospel\, Contemporary Christian\, or Praise and Worship Gospel. It’s Country music that leans toward Gospel. Reference Carrie Underwood’s “Jesus Take The Wheel”. \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n  \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-sherrill-blackman-april-17-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2017/02/SherrillBlackman-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250320T190000
DTEND;TZID=America/Chicago:20250320T210000
DTSTAMP:20260519T085827
CREATED:20250225T030437Z
LAST-MODIFIED:20250225T030437Z
UID:14274-1742497200-1742504400@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Jacee Badeaux
DESCRIPTION:About Jacee Badeaux\n\nSenior Creative Director\, A&R – Big Yellow Dog\n \nJacee Badeaux started as Creative Director at Big Yellow Dog Music\, and worked for years to move up in the company and now serves as Senior Creative Director\, A&R. Big Yellow Dog is an independent music publishing and artist development company based in Nashville\, TN. \nAs a member of the Creative Services team\, Jacee is responsible for writer management and song plugging for the company. He schedules regular pitch meetings with A&R reps from every major label in town as well as with producers and artist management companies. \n“As a growing publishing company\, we always look for the brightest lights to bring to Big Yellow Dog and to our music community\,” says Big Yellow Dog Music CEO Carla Wallace. “If you get a chance to meet this guy\, you will see why he got a gig here. He can also make a really good gumbo.” \n \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis is a member-only event.\nMembers can take advantage of the “Listen Only” option for only $20 before pitching a song.\nThis event is limited to 30 song pitches.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com   2 days before the event. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n  \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-jacee-badeaux-march-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2020/01/Jacee_Badeaux-300.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250227T190000
DTEND;TZID=America/Chicago:20250227T210000
DTSTAMP:20260519T085827
CREATED:20250127T001900Z
LAST-MODIFIED:20250127T001900Z
UID:13643-1740682800-1740690000@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Lauren Funk-Martin
DESCRIPTION:About Lauren Funk-Martin\n\nSenior Creative Director\, Endurance Music Group \nLauren is responsible for managing Endurance’s relationships with its roster of hit songwriters and artists\, while identifying new and promising talent. She came to EMG in 2021 from Big Yellow Dog Music\, where she spent seven years on the creative team. Lauren joined BYD as an intern in 2014 and was immediately hired in the role of Creative Manager upon graduating from Belmont University. In the years that followed\, she worked with four Grammy Award-winning songwriters and artists: Maren Morris\, Meghan Trainor\, and hit writers Josh Kear and Daniel Tashian. \nShe secured cuts with notable artists like Gary Allen\, Sara Evans\, Alan Jackson\, Dustin Lynch\, Blake Shelton and more. She was also instrumental in developing Sony Music Nashville’s Tenille Townes\, as well as signing hit songwriters Jim Beavers and Dave Pittenger. \n  \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-lauren-funk-martin-feb-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2023/09/laurenfunk-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250220T190000
DTEND;TZID=America/Chicago:20250220T210000
DTSTAMP:20260519T085827
CREATED:20250127T001707Z
LAST-MODIFIED:20250127T001707Z
UID:13639-1740078000-1740085200@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Jen Hubbard
DESCRIPTION:About Jen Hubbard\n\nDirector\, Sync A&R\, Concord Publishing\n \nJen Hubbard is the Creative Director\, Publishing with Concord’s music publishing division\, based in Nashville\, TN. Hubbard began her career with Razor & Tie in 2014\, where she served as Creative Coordinator\, and then Creative Manager. Currently\, Jen is responsible for assisting in the procurement and management of the songwriter roster\, as well as the exploitation of the publishing catalog out of Concord’s Nashville office. In her time at Razor & Tie\, and Concord\, Jen has been responsible for securing cuts with platinum recording artists across multiple genres\, including the country\, pop\, techno/EDM/DJ worlds\, as well as assisting in securing numerous placements in film and television including many major television and film platforms\, as well as digital outlets. Her work across multiple genres\, and exploitation avenues\, is stand-out amongst her peers\, particularly in Nashville. \nIn her new role\, Hubbard will be responsible for the development and management of Concord’s U.S. songwriter roster for sync activity\, bridging the gap between the A&R and Sync teams. She will support Concord’s overall strategy to streamline sync-forward initiatives and provide more opportunities for writers across film\, television\, ads\, gaming\, and more.  \nJen is a Belmont University graduate\, and is a member of S.O.L.I.D.\, CMA\, ACM\, NARAS\, AIMP\, and a current board member of Women in Music – Nashville. \n \n\nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-jen-hubbard-feb-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2021/11/JenHubbard-300S.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250130T190000
DTEND;TZID=America/Chicago:20250130T210000
DTSTAMP:20260519T085827
CREATED:20250127T001444Z
LAST-MODIFIED:20250127T001444Z
UID:13631-1738263600-1738270800@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Daniel Lee
DESCRIPTION:About Daniel Lee\n\nLEO 33 Indie Record Label\n \nA fifteen-year publishing veteran\, Daniel Lee has found success at independent publishers like Ten Ten Music\, worldwide operations like BMG\, and President of Altadena\, an independent label and publishing venture he founded with late hit songwriter and producer busbee. He changed roles in 2023 to Artist Development with Indie Label Leo33. Having worked with a variety of hit songwriters including Hillary Lindsey\, busbee\, Steve Robson\, Emily Shackelton\, Dave Barnes\, Jim McCormick\, and Tia Sillers\, as well as being instrumental in developing the careers of artists including rising country superstar Carly Pearce\, Daniel has worked across genres and with creators who possess a variety of skillsets to secure placements with some of the biggest artists in music including Lady Gaga\, Keith Urban\, Maren Morris\, Thomas Rhett\, and many more. Currently\, Daniel oversees a roster of more than a dozen artists\, producers\, and songwriters\, based in Nashville\, Los Angeles\, and Detroit. \nEVENT SOLD OUT! STAY TUNED FOR THE NEXT POP EVENT.\n\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-daniel-lee-jan-2025/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2021/01/Daniel-Lee-300.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241212T190000
DTEND;TZID=America/Chicago:20241212T210000
DTSTAMP:20260519T085827
CREATED:20241106T041937Z
LAST-MODIFIED:20241107T145117Z
UID:12408-1734030000-1734037200@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Daniel Lee
DESCRIPTION:About Daniel Lee\n\nLEO 33 Indie Record Label\n \nA fifteen-year publishing veteran\, Daniel Lee has found success at independent publishers like Ten Ten Music\, worldwide operations like BMG\, and President of Altadena\, an independent label and publishing venture he founded with late hit songwriter and producer busbee. He changed roles in 2023 to Artist Development with Indie Label Leo33. Having worked with a variety of hit songwriters including Hillary Lindsey\, busbee\, Steve Robson\, Emily Shackelton\, Dave Barnes\, Jim McCormick\, and Tia Sillers\, as well as being instrumental in developing the careers of artists including rising country superstar Carly Pearce\, Daniel has worked across genres and with creators who possess a variety of skillsets to secure placements with some of the biggest artists in music including Lady Gaga\, Keith Urban\, Maren Morris\, Thomas Rhett\, and many more. Currently\, Daniel oversees a roster of more than a dozen artists\, producers\, and songwriters\, based in Nashville\, Los Angeles\, and Detroit. \n\n \nSign Up For This Event\n\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-daniel-lee-dec-2024/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2021/01/Daniel-Lee-300.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241121T190000
DTEND;TZID=America/Chicago:20241121T210000
DTSTAMP:20260519T085827
CREATED:20241106T042013Z
LAST-MODIFIED:20241107T144214Z
UID:12406-1732215600-1732222800@globalsongwriters.com
SUMMARY:Publisher Online Pitch with Sherrill Blackman
DESCRIPTION:About Sherrill Blackman\n\nFounder – sdb Music Group\n \nBlackman\, a Dudley\, North Carolina native\, arrived in Nashville in 1980 and graduated from Belmont University with a Music Business degree in 1982. He served on the staff of The Nashville Songwriters Association International for six years and was General Manager of Buckhorn Music for four years until 1994\, when he founded his sdb music group\, a publishing and songplugging company. Since that time\, he has secured recordings in Country\, Pop\, Rock\, Gospel\, Bluegrass\, Blues\, Jazz\, and Polka\, resulting in various radio hits\, as well as Gold\, Platinum\, and Multi-Platinum certifications\, several Grammy and IBMA nominations and one Dove award winner. Blackman is co-founder of The Independent Pluggers Association; a three term past president of The Nashville Publishers’ Network; and was named Music Row Magazine’s Songplugger of The Year in 2004\, 2005\, and 2006\n  \n\n \nSign Up For This Event\n$30 per song GSC member\nNEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 7pm two days before the event.)\n\n\nAbout the Publisher Online Pitch Event\nHave you ever thought: “Wow I think I have a really good song. If only I could get a legitimate publisher to listen?” \nThrough GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. \nOne of the most important elements of this service is that you will be connecting with a publisher\, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. \nHere are the details! \n\n\nThis event is open to members only.\nPricing is $30.00 per Song Pitch and $20 for a Listen Only slot.\nThis event is limited to 35 Song Pitches and 50 Listen Only slots.\nOnce you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.\nIf you purchase a song pitch\, you will need to email your song in mp3 format along with your photo (jpg format only) and lyric (Microsoft Word format only) to pop@globalsongwriters.com 2 DAYS BEFORE THE EVENT. It is preferable to put the photo image and bio on the same page with your photo and contact information at the top. (Please list your name and where you are from on the top of your lyric. GSC wants the publisher to connect with you.)\nGuitar vocals and keyboard vocals are acceptable. You do not have to have a full demo for this event.\nThe publisher will only listen to the first verse and the chorus of your song.\nThe publisher may or may not comment on your song. This event is not intended as a publisher evaluation service; although in most cases\, the publisher will offer constructive advice.\nThis is a real publisher pitch opportunity. The publisher will either PASS on your song OR he may choose to keep your song for further consideration.\nYou are encouraged to stay involved in the webinar while all songs are listened to and here is why:\n\nOut of respect for the other participants.\nShould the publisher choose to comment on a song\, you will learn from what he has to say.\nIf a publisher takes a song\, you will want to connect with that songwriter and possibly co-write with that writer.\n\n\n\n\nRead More About the Realities of Song Plugging\nAt GSC we always want you to know the real journey of a song from the pen to the publisher. With that in mind we want you to be aware of these facts. \n1. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard. \n2. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher\, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. If you were pitching your songs to a producer\, artist\, manager etc then you will need fully produced and well produced demo’s for these types of pitches. \n3. The Listening Process: GSC wants you to know…Often\, when a publisher is listening for songs for a project or artist\, they can usually tell if it is a song they would be interested in for that project in less than 30 seconds. Through the POP event the publisher will be listening through the first verse and chorus in its entirety. However\, in the future should you pitch a song to a publisher in their office and they turn your song off after only the first half of the first verse\, we want you to know that is a normal part of the process. \n4. Pitch Ready Songs: The reality is that some of your songs may not be ready for pitching to a publisher. However\, there is much to be learned through the pitching process. Please consider a song evaluation session before pitching a song. \n5. The Follow Up: If the publisher should take your song for consideration\, we will be excited with you and it does happen! Below is the GSC recommended follow up process. Correct follow up is essential for success. \na. If your song is taken by the publisher you will be provided with the publishers contact email address for follow up. \nb. If you do not hear from the publisher within 5 to 7 business days of them taking your song. We recommend you email the publisher\, thank them for participating in the GSC POP program\, thank them for their interest in your song and list the TITLE of the song as a reminder and ask if they should need anything further. \nc. If you do not hear from the publisher within three weeks\, make a phone call to the publisher office. You will most likely be leaving a message. If so\, just leave your name\, contact number and that you are following up on your song and list the title. \nd. If the publisher does not return your call\, do not call again. Simply send a physical thank you card\, thanking them for their interest\, recognizing that they are a busy industry professional and that you hope to have the opportunity to play them more songs in the future. \nAt GSC we know it would be disappointing to have your song taken by a publisher and then not hear from them. Unfortunately\, this process is part of the song pitching process. Thoughtful and professional follow up is essential to success and is appreciated by busy\, overworked publishers. They won’t forget your professionalism. Sometimes you may not hear from the publisher who took your song for months and then out of the blue\, when they are ready and working on the project\, you get the call. Many times I have kept a member’s song for over a year and then gave them a call for the just right opportunity. Songs will often be pitched over and over again for years before they land on just the right project. \n\n 
URL:https://globalsongwriters.com/event/publisher-online-pitch-sherrill-blackman-nov-2024/
LOCATION:Online Webinar
CATEGORIES:Publisher Online Pitch
ATTACH;FMTTYPE=image/jpeg:https://globalsongwriters.com/wp-content/uploads/2017/02/SherrillBlackman-300s.jpg
ORGANIZER;CN="Global Songwriters Connection":MAILTO:info@globalsongwriters.com
END:VEVENT
END:VCALENDAR